NewsPhotography

Canon EOS R6 Mark II Initial Review

November 14, 2022
Sigma has announced the 18–50mm F2.8 DC DN lens for Fujifilm X-mount camera systems. This lens is effectively identical to Sigma’s existing 18–50mm F2.8 DC DN lenses for Sony E-mount and L-mount camera systems. Sigma’s lens, which offers a roughly 27–75mm full-frame equivalent zoom range, is constructed of 13 elements in ten groups, including three aspherical elements and one Super…
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DaVinci Resolve 18.1 adds vertical video support, timeline locking, new AI-powered audio tools and more

November 11, 2022
Blackmagic Design has announced DaVinci Resolve 18.1, the latest update to its professional video editing application. The update adds support for editing in vertical resolutions, like for social media platforms like TikTok, Snapchat, Facebook Shorts, Instagram TV and more. With support for resolutions like 1080 x 1920, users can select square and vertical resolutions directly in the project…
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Gear in this story

November 10, 2022
1 2 3 4 5 6 7 8 9 10 Introduction The Canon EOS R6 II is a higher-resolution, better-performing follow-up to 2020’s EOS R6. Like its predecessor, it’s a mid-range, full-frame camera aimed at enthusiasts…
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Gear in this story

November 9, 2022
1 2 3 4 5 6 7 Introduction Last week, Canon announced its RF 135mm F1.8 L IS USM, a fast telephoto prime designed for the company’s EOS RF camera lineup. We’ve gone hands-on with the lens to show off some of the features and provide context to where it stands amongst its contemporaries and how it feels attached to Canon’s latest EOS R6 II camera system. …
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Gear in this story

November 8, 2022
Fujifilm’s already impressive catalog of X-mount lenses got a little bigger the other day, with the introduction of the new 30mm F2.8 R LM WR Macro. In plain speak, that’s a splashproof lens with a linear motor for autofocus and an aperture ring to boot. Its minimum focusing distance is 0.1m (3.94 in) and it offers 1:1 magnification. For only $600, this seems like a promising addition…
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