After winning 800+ international awards, this drone photographer claims another major photography prize – “I am committed to ethical practices that preserve the integrity of the photograph,” he says

Bangladesh photographer Azim Khan Ronnie has spent more than a decade building an extraordinary international reputation, earning over 800 photography awards throughout his career.

Now, Ronnie has added another major title to that list, winning the International Aerial Photographer of the Year 2026 competition. Using DJI drones, Ronnie’s winning images transform familiar scenes across Switzerland, Bangladesh and India into dramatic aerial compositions.

But beyond the awards and mesmerizing visuals, Ronnie’s latest achievement carries a wider message about photography itself. At a time when AI-generated images and digital manipulation are raising new questions about trust, the award-winning photographer says protecting the integrity of photography remains central in his work.

International Aerial Photographer of the Year

The story behind the award-winning series
Each of the locations in his award-winning portfolio has a unique story to tell, whether it was the quiet simplicity of rowing on Lake Zurich in Switzerland or the spiritual atmosphere of the Rakher Upobash ritual in Dhaka, Bangladesh.

He explains, “I visited these locations while working on documentary and travel photography projects, and I chose them because I saw the potential to transform everyday scenes into compelling visual narratives.

“Behind each photograph was patience, waiting for the right light, the perfect arrangement of people, or a fleeting moment when everything came together. Those brief moments are what make aerial photography so rewarding.”

Ronnie’s trusted aerial gear
“For aerial photography, I use the DJI Mavic 4 Pro and DJI Mavic 3 Classic, allowing me to create images that reveal scale, patterns and perspectives impossible to capture from the ground,” he explains.

Photography’s integrity matters

Ronnie explains, “My post-processing philosophy is based on enhancement rather than manipulation. I believe editing should strengthen an image without altering its truth or narrative.

“Every adjustment is made with the goal of accurately reflecting the atmosphere, light and emotion I experienced when I pressed the shutter.

“Especially in my documentary and photojournalistic work, I am committed to ethical editing practices that preserve the integrity of the photograph.

“For me, post-production is the final step in realising the image I envisioned in the field, not creating a different reality.”