NewsPhotography

Resetting The Rules: ‘Sorry, No Tripod’ and ‘Pro Cameras Not Allowed’

During New Year’s Eve 2017, Dubai set a world record for the biggest LED and light show at Burj Khalifa, doing away with the usual fireworks and taking a different approach to welcoming 2018, the “Year of Zayed”, named after the founding father of the UAE. It was just a 30-floor elevator ride for me to be able to capture this moment with my trusted Olympus mirrorless camera. For those…
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NewsPhotography

Meyer Optik Görlitz Unveils the Trioplan 50mm f/2.8 II

After unveiling the Lydith 30mm f/3.5 II and Trioplan 100mm f/2.8 II earlier this year, the revived Meyer Optik Görlitz today announced the new Trioplan 50mm f/2.8 II, a sharp normal lens with “soap bubble bokeh.” “With our Trioplan 100 II and our Lydith 30 II, we…
NewsPhotography

90s Throwback: My Street Photos of New York City

The streets of New York City as a photo studio. That is the idea. Nearly 9 million people live in New York and another nearly 2 million travel to New York every day, so the streets are bursting with people. Back then, New York looked completely different than it does today: the World Trade Center was still standing, the cars were big and square, and the gentrification of Brooklyn had not yet…
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NewsPhotography

Sneak Peek: Lightroom is Getting Advanced Color Grading

Adobe revealed today that it’s bringing a powerful new Advanced Color Grading feature to Lightroom Classic, Lightroom, and Adobe Camera Raw. This 2-minute video offers a sneak peek at how the panel works. The new panel draws inspiration from the Lumetri Color panel found…
NewsPhotography

Venus Optics brings its Laowa 9mm T2.9, 12mm T2.9 and 15mm T2.1 cine primes to Canon RF mount

Venus Optics has announced it’s now adding a Canon RF lens mount option for three of its ultra-wide cinema primes: the 9mm T2.9 ‘Zero-D’ lens, 12mm T2.9 ‘Zero-D’ lens and 15mm T2.1 ‘Zero-D.’ The 12mm T2.9 ‘Zero-D’ lens was released back in January of this year, while the 9mm T2.9 and 15mm T2.1 ‘Zero-D’ lenses were announced back in June of this year. At the time, the lenses…
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NewsPhotography

The $4.5K Fuji XT-1 Forensics Package Doesn’t Really Create UV Photos

UV photography has many obstacles. Ultraviolet light, or light from 200nm – 400nm in wavelength, is notoriously difficult to image with normal camera equipment. A normal digital camera will record images in the visible light spectrum, or 400nm – 700nm in wavelength. To unlock sensitivity to those shorter wavelengths, a camera has to be physically modified to allow passage of light below…
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