NewsPhotography

Cosina announces new 28mm F2 Ultron ‘Vintage Line’ lenses

Cosina has announced the release of the Voigtlander 28mm F2 Ultron Vintage Line lenses for Leica M mount camera systems. As with the other lenses in the growing Voigtlander Vintage Line series, the 28mm F2 Ultron lens seeks to combine modern optical performance in a vintage-looking package. The lens comes in two models: Type I and Type II. The only notable difference between the two is the…
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The First-Ever Camera Collar Footage Shot by a Wild Wolf

You can now see the world from a wolf’s point of view. This 3-minute video is the first-ever camera collar footage shot from the perspective of a wild wolf. The video was released by the Voyageurs Wolf Project, which studies wolves in the Greater Voyageurs Ecosystem of…
NewsPhotography

Why Are So Many Cameras Limited by Design?

Expensive cameras often lack basic features. The most common limitations-by-design are fixed screens and no flash. I suspect that some camera designers aren’t photographers and don’t realize how much these two features will be missed. Let’s consider these two…
NewsPhotography

How to Shoot Milky Way Photos with Image Stacking to Clean Up Noise

Aloha, and welcome back to my astrophotography tutorial write-ups. I wrote an article last month on the basics of photographing the Milky Way core season. Today I am going to continue this series and tell you about a game-changing technique that you have probably may have already heard about: image stacking. The idea is to take several images over time out in the field and then use processing…
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NewsPhotography

How Adobe Super Resolution Works (and Doesn’t) for Smartphone Photos

When Adobe first unveiled Super Resolution, it gave photos a chance to increase in size without losing any quality, but it wasn’t clear whether that kind of magic extended to the trove of images on people’s smartphones. The short answer is that Adobe admits it optimized and designed Super Resolution with RAW files in mind, but also “trained” it to deal with already rendered files…
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NewsPhotography

What is the Difference Between Opacity and Fill in Photoshop?

A common post-production question involves Opacity and Fill, and what the differences are between them when it comes to photography. In this 14-minute video, Marc Newton from The School of Photography explains what sets them apart and how properly using them can dramatically improve your images. On any image, if you look over at the Layers panel in Photoshop, you’ll see both the Opacity and…
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